![]() Finally, on a night when Lewis is once again gone and Rachel finds herself tending to wounds that Stefan acquired when caught up in an out-of-control street protest, grand passions finally arise and the two find themselves on a table indulging in what the beloved namesake of this website, had he reviewed this film, would have almost certainly referred to as “rumpy-pumpy.” Before long, Rachel is almost a new woman-she smiles, she returns to playing the piano after having given it up for years and seems to have forgotten all of her initial and not-entirely-unfounded suspicions about whether or not Stefan was a full-fledged Nazi. Rachel, who is still struggling to process her son's death in a bombing raid a couple of years earlier, is not especially thrilled with the arrangement and while Lewis and Stefan try to make the best of the awkward circumstances, she treats Stefan with barely disguised disdain.Īs time goes by, no pun intended, and Lewis is constantly called away to work, Rachel’s attitude towards Stefan begins to thaw. So much so, in fact, that when he and his wife, Rachel ( Keira Knightley), are sent to live in the lavish mansion that has been “requisitioned” from recent widower Stefan ( Alexander Skarsgard) and his teenaged daughter Freda (Flora Thiemann), he magnanimously offers to let them continue to live there (in the attic, naturally) instead of forcing them off to stay in a refugee camp. One of the men charged with this mission is Lewis Morgan ( Jason Clarke), a recently arrived British captain who, unlike most of his fellow soldiers, tries to treat the locals with some modicum of respect and dignity. (In his grief, he wears a tacky sweater with what looks like geese on it.) Scene after scene consists of the actors trying to convey their inner anguish, with the director unable to do anything but remain on the surface.The film is set in Hamburg about five months after the Allied victory, as shell-shocked locals stumble through the piles of rubble that used to be their city and Allied troops try to maintain some semblance of order while searching for any remaining Nazi loyalists. The movie feels more manipulative than it does sympathetic, topped off with an almost constant droning, moaning music score and very strange touches like a bizarre, busy wardrobe for Schwarzenegger. The subsequent setup for Jake is equally awkward the first 20 minutes, taken together, show that director Elliott Lester has little feel for human behavior. Inspired by a true story, Aftermath starts awkwardly with an upbeat beginning that basically guarantees - and cheapens - the tragedy to come. Schwarzenegger and McNairy give powerful performances in this dire, downbeat drama, but the filmmaking frequently undermines them, choosing shortcuts over deeper, more soulful exploration. While the acting is strong, overall the film feels more manipulative than sympathetic. A character takes prescription pills to deal with depression and appears to be dependent on them he attempts an overdose but throws up. ![]() Language includes a single use of "f-king," plus "goddamn." A married couple has sex, kisses, and cuddles, but there's no graphic nudity star Arnold Schwarzenegger's naked bottom is shown in the shower. ![]() Violence isn't constant but is brutal/intense there's a stabbing, spurting blood, and a pool of blood, as well as images of the plane crash site and dead bodies. It explores the effects the crash has on both a man who loses his family and on the air traffic controller who may have been responsible. Parents need to know that Aftermath is a drama based on a true story about a horrible plane crash. A man walks out of a liquor store with a paper bag (nothing else shown).ĭid you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide. He only goes to therapy to get more pills. Character takes prescription pills to help deal with his misery.
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